LEARNING WITH
RJMEANEY
WELCOME TO OUR COMPREHENSIVE GUIDE TO AUDIO ENGINEERING & MUSIC PRODUCTION
AVAILABLE MODULES:
101, 201, 301, 401 & 501
BESPOKE LEARNING PLAN (BLP)
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BEFORE THE FIRST CLASS, RICH OFFERS PROSPECTIVE STUDENTS A FREE ONE-TO-ONE CONSULTATION, WHEREBY THE STUDENTS’ RESPECTIVE ABILITY, AMBITIONS, AND INTERESTS ARE FACTORED INTO THEIR BESPOKE LEARNING PLAN.
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BESPOKE LEARNING PLANS CAN BE A SEQUENTIAL RUN THROUGH FROM THE 45 LESSONS CURRENTLY ON OFFER, INDIVIDUAL CLASSES, OR A COMBINATION OF CLASSES SPECIFICALLY CHOSEN BY THE STUDENT.
ASSUMING A STUDENT COMPLETES A FULL COURSE, AS OPPOSED TO INDIVIDUAL LESSONS, THEY WILL BE SEQUENTIALLY GUIDED THROUGH A SERIES OF KEY SKILLS AND CREATIVE TECHNIQUES.
THIS WILL FORM THE BASIS OF A CREATIVE DAW PROJECT FOR EACH MODULE, WHICH WILL BE USED AS A VEHICLE TO LEARN AND PRACTICE THE COURSE CONTENT.
THE FINAL 210, 310 AND 410 CLASSES WILL BE AN IN-DEPTH ANALYSIS OF THE PROJECT, WITH EXPERT FEEDBACK PROVIDED TO ASSESS THE APPLICATION OF THE MODULE'S LEARNING CONTENT.
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TUITION IS PRIMARILY FOCUSED AROUND THE CREATION OF WORKFLOWS AND THE USE OF ABLETON LIVE AS THE DIGITAL AUDIO WORKSPACE (DAW) (BY REQUEST, LEARNING MATERIALS CAN ALSO BE REAPPLIED TO AVID PRO TOOLS).
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RJ’S TUITION PROVIDES A HOLISTIC OVERVIEW OF A PRODUCTION PIPELINE - TAKING STUDENTS FROM CONCEPTUALISING A COMPOSITION, TO PRODUCTION, MIXING, MASTERING, AND THE BUSINESS AND MARKETING ASPECTS OF RELEASING MUSIC.
CLASSES WILL ALSO ENCOMPASS AND REFLECT ON THE THE TECHNICAL, PSYCHOLOGICAL, PHILOSOPHICAL ASPECTS THAT ARE INTEGRAL TO THE ARTS OF ENGINEERING AND PRODUCTION.
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FOR THOSE INTERESTED, THERE IS ALSO INFRASTRUCTURE IN PLACE SO THAT THESE PROJECTS CAN BE MASTERED BY OUR IN-HOUSE ENGINEERS AND READIED TO PITCH TO LABELS.